Fay
搜索"Fay"，找到71部影视作品
导演：
/格莱高利·莱瓦瑟
剧情：
2013年，一支由梅尔·霍尔顿博士（丹尼斯·欧哈拉 Denis O'Hare 饰）及其女儿诺拉（阿什丽·欣肖 Ashley Hinshaw 饰）率领的美国考古队在开罗南部发现一座被掩埋在黄沙之下的神秘金字塔。虽然埃及正处于暴动混乱之中，但是苏妮（克莉丝塔·尼古拉 Christa Nicola 饰）担任主持人的纪录片摄制组仍然冒险来到当地，只为记录下具有划时代意义的重要时刻。根据现场的情况，该金字塔甚至比已发现的所有金字塔年代都要久远。照例围绕着金字塔，各种恐怖诅咒的阴影盘桓其上，而且开启金字塔的时候还有当地人因毒气而受伤。由于所携带的设备遭到不明原因损伤，诺拉和相关工作人员决定铤而走险进入这座未知金字塔。 等待他们的将是永生难忘的可怕记忆……
导演：
/埃里克·冯·施特罗海姆
主演：
剧情：
Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"? The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
导演：
/内详
剧情：
LornaBradyisawomanfromthesmall,fictionalIrishtownofKilkinurewhowakesonemorningtofindacorpseinherhouse.Chillingly,Lornahasnoideawhothedeadwomanis,orifsheherselfmightberesponsiblefortheapparentmurder.That’sbecauseLornahaslongsufferedfromextremeboutsofsleepwalkingeversinceshewasrippedfromherlifeattheageof15andincarceratedinaconvent.There,LornagavebirthtoherdaughterAgnes,whowascruellytakenfromherandwhosefateLornahasneverknown.UnluckilyforLorna,DetectiveColmanAkandeisnowalsoonhertail,foracrimeseeminglyunrelatedtothebodyshehasdiscoveredinherhouse.TheambitiousColmanquicklyrosethroughtheranksoftheGardaSíochánathankstohisnaturalaptitude.Hisscathingwithidesaquietsadness,andwhenhemeetsLorna,hefindshimselfforcedtoconfronthisownhauntingsecrets.AsColmansearchesforamurdererandLornasearchesforherdaughter,theirpathscollideinwaystheycouldneverhaveanticipated.Lorna’ssearchforAgneswilltakeherdeepintoherownpastandtotheheartofKilkinure’sdarkestsecrets,assheandColmanseektheanswerstheyeachsodesperatelyneed.
导演：
/Faye Gilbert
剧情：
这个新系列将被命名为《塔》II： 死亡信息》是根据凯特-伦敦出色的第二本同名小说改编的。该剧由编剧Patrick Harbinson（《国土安全》、《无畏》、《24》、《急诊室》）改编，由他的公司Windhover Films和制作公司Mammoth Screen制作。
该系列的开篇是Lizzie（Tahirah Sharif）回到Farlow警局，她的上司和前情人Kieran Shaw（Emmett J Scanlan）将她与Arif Johar（Michael Karim）搭档。他们接到的第一个电话是针对Mark Brannon的家庭暴力投诉，他被指控殴打其女友Georgina Teel，并恐吓他们的小女儿Skye。
Lizzie劝说Georgina说出Brannon对她所做的事情的真相，使Lizzie和Arif能够逮捕他。然而，一旦案件进入法庭，丽兹发现自己在证人席上被盘问，使整个案件处于刀尖上。
莎拉知道费登交给她的是一个不可能完成的挑战，但她以典型的决心和彻底的态度投入其中。渐渐地，也许是因为她在1997年时也是和塔尼娅一样大的少年，她开始发现以前的调查所忽略的线索。在第一集的结尾，莎拉的调查有了进一步的转折，这意味着她和丽兹再次相遇。
导演：
/Faye Gilbert
剧情：
The new series is going to be entitled The Tower II: Death Message and is based on Kate London’s brilliant second novel of the same name. It is being adapted by screenwriter Patrick Harbinson (Homeland, Fearless, 24, ER) and produced by his company Windhover Films and production company Mammoth Screen. The series opens with Lizzie (Tahirah Sharif) returning to Farlow station where her boss and former lover, DI Kieran Shaw (Emmett J Scanlan), partners her with Arif Johar (Michael Karim). Their first call is to a domestic violence complaint against Mark Brannon, who is accused of beating up his girlfriend, Georgina Teel, and terrorising their young daughter Skye. Lizzie persuades Georgina to tell the truth about what Brannon has done to her, enabling Lizzie and Arif to arrest him. However, once the case gets to court, Lizzie finds herself cross-examined on the stand, leaving the whole case on a knife-edge.” Sarah knows that Fedden has handed her an impossible challenge, but she throws herself into it with typical determination and thoroughness. And, gradually, perhaps helped by the fact that she too was a teenager of Tania’s age back in 1997, she begins to uncover clues that previous investigations had overlooked. At the end of the first episode, Sarah’s investigations take a further twist, which means she and Lizzie cross paths again.
导演：
/George B. Seitz
主演：
剧情：
安迪和他父亲一样要去温赖特学院。他在火车上看到一个漂亮的金发女郎，每次看到她时，他都会对她眨眼或扇耳光。安迪一头雾水。在火车上，安迪遇到了前往温赖特的凯和斯坦迪什博士。安迪喜欢凯，但斯坦迪什博士似乎也对她感兴趣。凯在大学里一切顺利，但金发女郎前一分钟还不错...
导演：
/罗伯·马歇尔
剧情：
两个女人，有着相似的经历，甚至是相似的心计，展开了为求成名的争夺战。
维尔玛（凯瑟琳•泽塔-琼斯 Catherine Zeta-Jones饰）是一个夜总会舞女，名气不大。因为一怒之下枪杀了出轨丈夫而被关进大牢。比利（理查德•基尔Richard Gere饰）是当地一个靠打谋杀案官司而提升知名度的律师，他受理了这桩案件，心中有着自己的打算。他借助媒体炒作维尔玛的案子，一方面维尔玛瞬间成为红人，而他自己也声名大振。
然而洛克茜（芮妮·齐薇格 Renée Zellweger 饰）的案件却让比利转移了注意力。梦想成为歌星的洛克茜也是因为怒杀男友而身负罪名，比利决定要把她包装成楚楚可怜的受害者，令媒体更疯狂的大肆报道。
维尔玛觉察形势不妙，为了成名，她跟洛克茜之间的斗法不可避免的开始了。
导演：
/Jesper Ganslandt
主演：
剧情：
2011 年 6 月 28 日前夕，瑞典记者 Martin Schibbye 和 Johan Persson 从索马里非法越过边界进入埃塞俄比亚，这让一切都岌岌可危。 经过数月的研究、计划和失败的尝试，他们终于踏上了报道无情的石油开采如何影响孤立且冲突频发的欧加登地区居民的道路。 五天后，他们受伤躺在沙漠中，被埃塞俄比亚军队射杀并俘虏。 但是当他们最初的报道文学结束时，另一个故事开始了。 一个关于无法无天、宣传和全球政治的故事。 经过卡夫卡式的审判后，他们因恐怖主义罪被判处 11 年徒刑。 他们远非孤军奋战。 他们的狱友是记者、作家和政治家，他们因不向独裁统治低头而受到迫害。 他们关于石油的报道变成了关于墨水的故事，他们的日常生活变成了在亚的斯亚贝巴臭名昭著的卡利蒂监狱中为生存而战。 暴露于致命...
